Illegal Aliens 8

wewriwa
Welcome to weekend writing warriors. Many fine authors, and me, contribute short snippets for your delectation. This is the start of a new work, Illegal Aliens. It is something of a cross between a horror story, a science fiction tale, and a romance.

Roland, an archaeology instructor at Reading University (academic ranks in the UK are different than in the US, he’d be an assistant professor in the land of the free), is on his way to London. He’s on call when something unusual turns up in the works on the new underground. After an interesting conversation on the train, he arrives to find the odd item – a block of Roman Concrete which is covered in inscriptions.

Roland’s dinner continues, with an unusual choice of meal. He has just asked his visitor if she’s hungry.


She laughed, a laugh that pierced to his core, then said, “Yes, very hungry;” she kept staring at him; he wasn’t sure he liked it; she smiled, at him; he decided he did like it.

“Let me order you something, I’m having the curry; it’s usually good.”

“Meat.”

“Meat it is,” Roland looked at today’s menu – on the chalkboard, “Paul? A beef burger for the lady and a bottle of that Romanian plonk, two glasses.”

“Rare or well done?”

Roland looked at the woman, “How do you want it cooked?”

She grinned and licked her lips, “Raw.”

Roland said to the bartender, “Make it two burgers for her, rare as can be and go easy on the chips,” after that, he patted the seat next to him, “Do you want to sit here?”

She continued to stare at him, which made him nervous, then glided to the chair next to him; not the one he’d offered; she sniffed him, “Yes, you’re the one.”


My sincere apologies for abusing semi-colons.

One of our books is in Patty’s promos. Don’t let that dissuade you from taking a look at the many fine authors who have made their work available at a hefty discount.

 

You can find my, well our, works here.

Illegal Aliens 6

wewriwa
Welcome to weekend writing warriors. Many fine authors, and me, contribute short snippets for your delectation. This is the start of a new work, Illegal Aliens. It is something of a cross between a horror story, a science fiction tale, and a romance.

Roland, an archaeology instructor at Reading University (academic ranks in the UK are different than in the US, he’d be an assistant professor in the land of the free), is on his way to London. He’s on call when something unusual turns up in the works on the new underground. After an interesting conversation on the train, he arrives to find the odd item – a block of Roman Concrete which is covered in inscriptions.

This blurb starts after he’s caught a cab back home, or close enough (his local).


A few minutes and twenty pounds later, Roland stood in front of the Roebuck; he paused before entering the old pub; through the door in the brick face below the timber and stucco; it had been his local when he had started as a junior faculty member at the university. It was still his local, after … after his wife and son had disappeared; they’d planned to move, even looked at houses that were much nicer than the terrace they lived in, but events had intervened.

He pushed the door open, relaxed in the comforting familiar buzz of voices, and walked up to the bar.

“The usual?”

“Nah, maybe curry for a change, and a pint.”

“Courage?”

Roland laughed, the local brewery’s name seemed oddly appropriate, “Directors’ ale if you have it.”

The barkeep drew him a pint, placed it on the bar, and went to place his order in the kitchen.

Roland found a table, off in a corner by himself where he could watch the television; it was playing reruns of some murder mystery or another; a show that wasn’t entrancing enough to distract him from his thoughts; he took out his camera and studied the pictures.

“Odd all those religious symbols … it will make a good paper,” He started transcribing what he could make out of the inscription onto a sheet of paper; fragments of Latin eroded by time and bomb damage; there were hints of Greek, and a run of Occam’s runes.


My sincere apologies for abusing semi-colons.

Courage_Brewery_logo Using Courage here is a bit of an anachronism. Founded in 1787, they finally closed in 2010, but until then were based in Reading. You could see the brewery from the M4. It’s still brewed by Charles Wells, but it isn’t quite the same.

You can find my, well our, works here.

Illegal Aliens 3

wewriwa
Welcome to weekend writing warriors. Many fine authors, and me, contribute short snippets for your delectation. This is the start of a new work, Illegal Aliens. It is something of a cross between a horror story, a science fiction tale, and a romance.

Roland, an archaeology instructor at Reading University (academic ranks in the UK are different than in the US, he’d be an assistant professor in the land of the free), is on his way to London. He’s on call when something unusual turns up in the works on the new underground.  After an interesting conversation on the train, he arrives to find the odd item – a block of Roman Concrete which is covered in inscriptions.


Two and a half hours later, after the train ride to Paddington, a shunt in the rattling cars of the circle line and a shuttle along the new but unopened tracks, with his bright yellow vest – lined with reflective tape, and a yellow hardhat Roland met the works manager at the site.

“So Mr Shah, where’s this block?” The works manager insisted on the ‘Mr’ so Dr Stevens used it, rather than the informal first names he usually found worked better with people; he wasn’t sure he even knew Mr Shah’s first name.

Mr Shah pointed the way, “You can see it’s right in the middle of the line; I’ve had the diggers expose as much as I can; as much as is safe, we think might be a UXB left nearby – from the war.”

“Is that why Carter’s here?” Roland waved at an army officer who was drinking a cup of coffee while he stood by the works office, a mobile shed constructed from a shipping container; he waved back.

Mr Shah spat, “Of course; we scanned the area with a metal detector; there are so many bomb fragments and other bits of metal rubbish around here – too many for my taste … and there’s something big near that bloody piece of concrete.”

“Best then if I take a look,” Roland and Mr Shah walked to the block.

After he inspected it, Roland said, “You’re right, definitely Roman mortar.”


Mithras, a Persian god, was widely worshiped in the Roman Empire. Most, if not all, of the legions participated in his cult before the emperor Constantine made Christianity the official religion of the empire (mind you, he adopted what is known as the Aryan heresy but that’s another story).

The cult was squashed by the early Christian church. Unlike the Olympian gods he didn’t get re-cloaked as a saint. There are several reasons for this.

  1. It was a mystery religion. You weren’t supposed to know about it until you were initiated and you weren’t supposed to proselytize. There were a series of initiations – think of the scene from the Magic Flute and you’ll get the idea.
  2. The early Christian church was a social welfare agency. After it more or less ‘went public’ and was (usually) tolerated, it fed the poor and helped the sick. This gave it wide support among the commoners. It also abraded the rigid class distinctions of the Roman Empire because it taught that all people were equal before God (if not each other).
  3. The mythological structure of Mithridates almost mockingly mimicked Christianity (though had things gone differently we might reverse that). Mithridates had twelve apostles, died for three days and rose (about the time of Easter), was born on December 25th, and performed miracles.

Mithriadic sites were typically in caves and a surprising number of them are underneath churches. The similarities between two faiths are not surprising – both were mystery religions in the 1st and 2nd century AD or CE. Christianity because the authorities did not like it and Mithriadism because of choice. Undoubtedly there were individuals who attended both and mixed the ideas.

Illegal Aliens 2

wewriwa
Welcome to weekend writing warriors. Many fine authors, and me, contribute short snippets for your delectation. This is the start of a new work, Illegal Aliens. It is something of a cross between a horror story, a science fiction tale, and a romance.

Roland, an archaeology instructor at Reading University (academic ranks in the UK are different than in the US, he’d be an assistant professor in the land of the free), is on his way to London. He’s on call when something unusual turns up in the works on the new underground. Something dashed odd has turned up and he’s on his way. This continues the conversation he’s having in the train.


“People didn’t always believe that; the prayer I’m working on is to Bastet, Goddess of cats, and healing; would you like to hear it?”

The boy shrugged, “My family is from Egypt.”

“I call upon thee, Bastet queen of my heart, to come and succour me, upon thee I call, o Bastet my queen.” Roland looked up at ceiling; the train carriage seemed lighter, somehow filled with the fragrance of flowers. “That’s as close as I can make it in English – they often wrote palindromes – to reinforce the magic.”

“What’s a palindrome?”

“Now leave the poor man to his work.” The boy’s mother said, “Enough of your silly questions.”

“A palindrome runs the same backwards and forwards.”

“Neat.”


My close collaborator dabbles in these sorts of things. I quote him below:

The jug with the falcon (of Horus) reads:

For my strong staff, the god Osiris, my spirit adores him.

The one with the baboon reads:

For my strong staff, the gods Osiris and Hapy

Modern Love

John Keats, 1795 – 1821

And what is love? It is a doll dress’d up
For idleness to cosset, nurse, and dandle;
A thing of soft misnomers, so divine
That silly youth doth think to make itself
Divine by loving, and so goes on
Yawning and doting a whole summer long,
Till Miss’s comb is made a pearl tiara,
And common Wellingtons turn Romeo boots;
Then Cleopatra lives at number seven,
And Antony resides in Brunswick Square.
Fools! if some passions high have warm’d the world,
If Queens and Soldiers have play’d deep for hearts,
It is no reason why such agonies
Should be more common than the growth of weeds.
Fools! make me whole again that weighty pearl
The Queen of Egypt melted, and I’ll say
That ye may love in spite of beaver hats.

(Bath rather than London for the image.)

A Designing Woman 6 for #wewriwar

More from the Steampunk book

Welcome to Weekend Writing Warriors.  This is a sample from my latest work in progress, “A Designing Woman”, and I hope you enjoy it.  This is the start of the next chapter and introduces more of the family. Continuing from last week, this snippet describes conversations between Amanda’s parents. Dark things are afoot, especially now that they understand her hobby, which they have tolerated, could be worth real money.
(The Last snippet)



That’s true; Do you think she’d like to visit Bath?”
Only to see the ironworks.”
That’s not helpful.”
While she was away, I could do something about her workshop, maybe. She’s not twenty-one is she?”

No,” Lady Caterham smiled, “So as her father you’re her legal guardian; your word is the one that counts, isn’t it?”
Get her to Bath, and I’ll deal with the rest; have to check with my solicitor, but I should be able to sell out her share of that company. It should pay for her dowry.”
Lady Caterham replied, “George, love, I knew there was a reason I married you.”
Her husband, realizing he was dismissed for the night, dutifully kissed his wife and returned to his port.


This is a work in progress. Here is the link on tablo. It’s also on writeon, but I have no clue how to link there. Apparently Steampunk implies Victorian, Dieselpunk the 1920’s. What-punk should a Regency period book be? Horse-punk isn’t right.

Despite being told in no uncertain terms that “steampunk” meant Victorian with ubiquitous steam technology, I’m calling this steampunk, although given the amount of time they will later spend on the river, maybe “Steampunt” is better. Amanda is working on what will become the defining technology of the 19th century, steam. Although, a few things, like the Napoleonic war will get in the way.

Google Blogger has gone back to making things difficult. Arghhh – doesn’t play well with firefox and privacy badger.

Time to look at wordpress. It’s being funny on Linux which takes some doing.

Thank you for reading. The heroine’s family thinks they’re doing the right thing by her. Ha! She doesn’t get to the Bath ironworks, but if it’s any consolation, she gets to do a small amount of smithing in the village of Philadelphia so that she isn’t compromised by staying the night with a totally unsuitable suitor.

A Designing Woman 4 for #wewriwar

More from the Steampunk book

Welcome to Weekend Writing Warriors.  This is a sample from my latest work in progress, “A Designing Woman”, and I hope you enjoy it.  This is the start of the next chapter and introduces more of the family. Continuing from last week, Amanda’s father and brother quiz her about the mysterious Mr. Williams.
(last weeks snippet).


 She laughed, “Don’t get too far ahead in your hopes. He’s studying for the ministry, and I somehow cannot see myself as a minister’s wife. Could you imagine me doing everything Mrs. Peabody does?”

Privately, Lord Caterham had to admit that he couldn’t see that either, but this was such a step in the right direction for his daughter that he wasn’t about to throw the least bit of obstacle in its path. So he changed the subject, “Did Mr. Williams mention which college he was a member of?”
New College, Freddie’s; doesn’t remember Freddy, though.”
Who doesn’t remember me?” Frederick found his way to the parlor, having dealt with the horses, or at least ensured that the stable hands were at their work.
Amanda regarded her brother with a mixture of affection and envy. Affection, because he was a likeable if somewhat flighty, young man, and envy, because he could attend university while she could not.


This is a work in progress. Here are links on tablo and authonomy.  Apparently Steampunk implies Victorian, Dieselpunk the 1920’s. What-punk should a Regency period book be? Horse-punk isn’t right.

Despite being told in no uncertain terms that “steampunk” meant Victorian with ubiquitous steam technology, I’m calling this steampunk, although given the amount of time they will later spend on the river, maybe “Steampunt” is better. Amanda is working on what will become the defining technology of the 19th century, steam. Although, a few things, like the Napoleonic war will get in the way.

A Designing Woman 3 for #wewriwar

More from the Pre-steampunk book

Welcome to Weekend Writing Warriors.  This is a sample from my latest work in progress, “A Designing Woman”, and I hope you enjoy it.  This is the start of the next chapter and introduces more of the family. There is excitement in the air; Amanda finally shows some interest in a young man.
(last weeks snippet).


The next morning, Lord Caterham and his son Frederick thundered into the stable-yard on their hunters. They had ridden hard from Ewelme manor in Dursley after receiving important news the night before via a messenger from Lady Caterham. Lord Caterham rushed into the house, while Frederick ensured that the stable hands properly rubbed down, cooled off, watered and fed their horses.
“Elizabeth,” Lord Caterham shouted after he entered the hall, “Is it true?”
“Is what true?”
“Amanda finally has a beau.”
“Quiet, please; let’s talk in the parlor. Things are, I think, at a delicate stage and I don’t want to upset them.”
A few minutes later, in the parlor, behind a closed and latched door, Lady Caterham filled her master and helpmate in on what had happened.

“They met at the assembly. Danced three dances; would have danced a fourth had manners allowed; then he rode here yesterday, ostensibly to see how we had recovered from our exertions, but”

This is a work in progress. Here are links on tablo and authonomy.  Apparently Steampunk implies Victorian, Dieselpunk the 1920’s. What-punk should a Regency period book be? Horse-punk isn’t right.

I’m calling this proto-steampunk simply because I was told in no uncertain terms that “steampunk” meant Victorian with ubiquitous steam technology. Amanda’s working before that and during the Regency, so it cannot be steampunk.

A Teaser

This is from my WIP Steorrum (c) 2015 Amelia Grace Treader.
Cynric had previously gone to the stars as payment for curing his beloved from TB. He’s come back home at the wrong time.

At the White Hart.

Dr. Bridget Heartney blearily scanned the menu at the White Hart. She said to her best friend Madge, “It’s been twenty days quarantine. I did my twenty-three days in-country and when I came back, another twenty-three. Damn idiots.”
Madge, a new-age believer, nervously fingered the quartz crystal she wore from a silver chain around her neck and said, “Can’t blame them. There’s not much hope if you have that virus.”
“That’s not true. Not if you aren’t half starved before you catch it.”
“Still, they’re scared. Afraid they might catch it from you.”
“That’s truly daft. I mean it. You have to have body fluid contact. Not like that’s going to happen here in Wroughton. Bloody stockbrockers.”
“You never know. Your aura says something’s afoot. A big change in your life.”
Bridget ignored her friends superstitious worries and said, “Damn, I missed this bitter in Liberia. Even if it is just Courage.”
“You shouldn’t drink that much, Bridge. Not good for you and,” she paused, “Your aura is showing red.”
“Stop it. What aura?” Bridget rather uncertainly, because two pints on an empty stomach is one too many for her, stood. She walked, almost stumbled, to the bar and placed her order. “Another pint of bitter, and a.”
“What, Dr. Bridget?”
She looked up at the barman. He seemed half her age, and she’d given him his school physical when she was newly qualified. “What’s good?”
“It’s all rubbish.”
“Then the bangers. Bangers, beans and chips. Tha’s what lipitor is for, and I missed them.”
The man smiled at her. In exactly the way he’d smile at his mother. “Ta love. You’re over at table four, with that crazy woman.”
“Madge isn’t crazy. A bit odd, but not crazy.”
“If you say so. On the tab?”
“Why not? Thanks.” Then she walked back to the table with her friend. Miraculously, or perhaps from years of practice, she didn’t spill her pint.
Bridget was halfway through her pint, and listening with barely concealed credulity to Madge telling her about the corn dolly’s she’d left in Wayland’s smithy and the Long barrow at Avebury when it happened.
“Come on Madge, you don’t really believe that tripe, do you?”
“Tripe? I’ll have you know this is the old religion, the way of the druids. It’s you new believers that cause trouble. There were lights last night; didn’t you see them? It is the coming of the new age for the old gods.”
“New believers? I don’t believe in much of anything. We’re just meat. When we die that’s it.”
Madge looked at her friend and said in sorrow, “No, Bridge, there’s more than that. You know it.”
“Maybe. Can’t tell. Where’s that damned banger and beans? Missed that in-country, more than you can possibly know.”
She was about to stand up and demand her food when the man came in. Tall, brown-haired, dressed in coarse linen and followed by a bobby, he looked completely lost.
Is there something to eat? And some ale, mead?

Bridget looked up, “Sound’s Swedish or Danish. Most of them know English.” She stood up and walked to him. “Ale?”

He nodded, “Aleand food.

Bridget nodded to the barman, “Get him a pint, and double that order of bangers. Where’s mine, or do you have to kill the pigs first?”
“It’s coming Dr. Heartney.”
“Good.” She turned to the bobby who was shadowing the man. “He’s just a lost foreigner. Swedish or something like that. I’ll look after him.” She looked at the man, “Probably an extra from some remake of Robin Hood, or a similar piece of dreck.”
“You sure?”
“Yes, lot’s of Swedes in the MSF. Got on well with most of them.”
“Did they carry swords?”

No, didn’t need them. Good enough with their fists when it came to it.I’ll keep him out of trouble.Then she turned to the man and said, “This way.”
He seemed to understand and replied, “Fair maid, thank you for your kindness.

“Whatever. Don’t forget your pint.”

The man picked up the pint and drained it. “Another.

“Thirsty much? Get him another, but I’ll carry it. And hurry up with that food.”

Yes, Dr. Bridget.”
Bridget thought, “I should never have encouraged them to use my first name,” but she took the pint and led the man to her table.

“This is my good friend Madge. What’s your name?”
The man almost understood, so she tried again, slowly. “What, is, your, name?”

I’m called Cynric son of Cedric.

“Cynric Cedricson. I’m Bridget Heartney, well Dr. Heartney, but you can call me.”

Bridget? Is it really you?He grabbed her arm. Bridget could not help noticing the strength of his grip and the muscles in his arms.

A designing woman #2 for #WeWriWa

More from the Pre-steampunk book

Welcome to Weekend Writing Warriors.  This is a sample from my latest work in progress, “A Designing Woman”, and I hope you enjoy it. Mr. Williams has come for a visit, the day after the assembly, and is now walking with Amanda on their way to the riverbank. They’d have seen her workshop, but for wearing their good clothes. He’s just asked her about the papers he read (in last weeks snippet).


“What papers?”
“The ones in the library; I must say, you have a fine hand.”
“I hope you didn’t mix them up, they were in order.”
“No, I could see that.” Then Mr. Williams gently chided her, “May I add, that ‘Principles of Mechanics’ is an unusual read for a young lady. I’d have thought ‘the Mysteries of Udolpho’ or some such romance would be to your liking.”
Amanda stopped short. She was about to reply sharply, and then noticed the smile on his face, “You’re teasing me, aren’t you?”
“Yes.”
“I never saw the point in those books, all heartthrob and passion in some made up land; I want to do real things.”


This is a work in progress. Here are links on tablo and authonomy.  Apparently Steampunk implies Victorian, Dieselpunk the 1920’s. What-punk should a Regency period book be? Horse-punk isn’t right.

Google’s being dashed odd – the only way I can reply to comments is to edit the post. Oh well, there’s always wordpress. Turns out, Google and Firefox don’t get along on windows, but they do on my trusty Linux box.

I’m calling this proto-steampunk simply because I was told in no uncertain terms that “steampunk” meant Victorian with ubiquitous steam technology. Amanda’s working before that and during the Regency, so it cannot be steampunk.