England in 1819 #fridayreads #fridaypoem

Percy Bysshe Shelley, 1792 – 1822

An old, mad, blind, despised, and dying king,—
Princes, the dregs of their dull race, who flow
Through public scorn,—mud from a muddy spring,—
Rulers who neither see, nor feel, nor know,
But leech-like to their fainting country cling,
Till they drop, blind in blood, without a blow,—
A people starved and stabbed in the untilled field,—
An army, which liberticide and prey
Makes as a two-edged sword to all who wield
Golden and sanguine laws which tempt and slay;
Religion Christless, Godless—a book sealed;
A Senate,—Time’s worst statute unrepealed,—
Are graves, from which a glorious Phantom may
Burst, to illumine our tempestous day.

Viewed through the rose-tinted spectacles of Regency Romance, we tend to think of the Regency as calm, beautiful, and serene. An island of beautiful people in the midst of historical turbulence. It was nothing of the sort. The world was changing at a rate scarcely equalled. Even though that Corsican monster had finally been sent to bed in Saint Helena.

The Georgian period had been one of stability, where everyone knew their place and stayed in it. No more.

The Prince Regent was the quintessential “frat-boy” to borrow a modern term, and his father, George III was completely insane.

In some ways it was extremely modern, more like 2016 than we’d like to think.

The Crocodile

Lewis Carroll, 1832 – 1898

How doth the little crocodile
Improve his shining tail,
And pour the waters of the Nile
On every golden scale!

How cheerfully he seems to grin,
How neatly spreads his claws,
And welcomes little fishes in,
With gently smiling jaws!

Lewis Carroll is mocking this poem by Isaac Watts. “How doth the little busy bee” was a common recitation/declamation piece in both the Regency and Victorian eras.

How Doth the Little Busy Bee

Isaac Watts

How doth the little busy bee
Improve each shining hour,
And gather honey all the day
From every opening flower!

How skilfully she builds her cell!
How neat she spreads the wax!
And labors hard to store it well
With the sweet food she makes.

In works of labor or of skill,
I would be busy too;
For Satan finds some mischief still
For idle hands to do.

In books, or work, or healthful play,
Let my first years be passed,
That I may give for every day
Some good account at last.

August

Lizette Woodworth Reese

No wind, no bird. The river flames like brass.
On either side, smitten as with a spell
Of silence, brood the fields. In the deep grass,
Edging the dusty roads, lie as they fell
Handfuls of shriveled leaves from tree and bush.
But ’long the orchard fence and at the gate,
Thrusting their saffron torches through the hush,
Wild lilies blaze, and bees hum soon and late.
Rust-colored the tall straggling briar, not one
Rose left. The spider sets its loom up there
Close to the roots, and spins out in the sun
A silken web from twig to twig. The air
Is full of hot rank scents. Upon the hill
Drifts the noon’s single cloud, white, glaring, still.

Now known as May in Georgia,
A.T.
(The picture is from New Mexico)

The Dreams of the Dreamer

Georgia Douglas Johnson, 1880 – 1966

The dreams of the dreamer
Are life-drops that pass
The break in the heart
To the soul’s hour-glass.

The songs of the singer
Are tones that repeat
The cry of the heart
‘Till it ceases to beat.

She Walks in Beauty

George Gordon Byron, 1788 – 1824

I.

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.

II.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling place.

III.

And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

Interim

Lola Ridge, 1873

The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wings.

Imagery

Archibald MacLeish, 1892 – 1982

The tremulously mirrored clouds lie deep,
Enchanted towers bosomed in the stream,
And blossomed coronals of white-thorn gleam
Within the water where the willows sleep—
Still-imaged willow-leaves whose shadows steep
The far-reflected sky in dark of dream;
And glimpsed therein the sun-winged swallows seem
As fleeting memories to those who weep.

So mirrored in thy heart are all desires,
Eternal longings, Youth’s inheritance,
All hopes that token immortality,
All griefs whereto immortal grief aspires.
Aweary of the world’s reality,
I dream above the imaged pool, Romance.

Willows being uncommon in the south (at least the weeping ones), a seashore will have to do.
A.T.

The Dark Hills

Edwin Arlington Robinson, 1869 – 1935

Dark hills at evening in the west,
Where sunset hovers like a sound
Of golden horns that sang to rest
Old bones of warriors under ground,
Far now from all the bannered ways
Where flash the legions of the sun,
You fade—as if the last of days
Were fading, and all wars were done.

My Heart Leaps Up

William Wordsworth, 1770 – 1850

My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.

Habit

Hazel Hall

Last night when my work was done,
And my estranged hands
Were becoming mutually interested
In such forgotten things as pulses,
I looked out of a window
Into a glittering night sky.

And instantly
I began to feather-stitch a ring around the moon.